Of course, you can't talk about 'Black Museum' without mentioning the hundreds of references to previous episodes of Black Mirror. Played with a devilish charm by Douglas Hodge, Haynes is a total oddball of a character who slowly unveils to become the true villain of the episode. At the center of them all is the mysterious figure of Rolo Haynes, whose roadside attraction, the titular Black Museum, is the place that houses all the episode's suspect technology. There's the grim violence of Dr Pain, the ethical quandary of Jack and Carrie, and the tragedy of poor old Clayton Leigh. Season 4's finale, 'Black Museum,' offers up a trifecta of bleak parables that dig into the murky world of neural science. While it falls a little flat in its slow, deliberate pacing, Arkangel is still a vintage episode of Black Mirror. What follows is even worse, and it’s an uncompromising look at the perils of parenting. This all culminates in perhaps the most cringe-worthy scene in any Black Mirror episode yet, where a desperate Marie accidentally watches her daughter having sex after worrying about her whereabouts. This is where the episode mines some seriously dark material as series creator and writer Charlie Brooker explores the various abuses of power the Arkangel software affords Marie. This starts off innocently enough, but things go sideways as Sara grows up. In this case, we follow overprotective mum Marie as she uses Arkangel to keep tabs on her daughter, Sara. Arkangel has all the hallmarks of a classic episode of Black Mirror, setting up a central technology-the Arkangel Initiative-before unleashing it on an unassuming protagonist who slowly uses it to destroy their own life. Helicopter parenting is put in the spotlight for the Jodie Foster-directed Arkangel.
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